The crowd was astonished by the real-time movements of the virtual character that was broadcasted on two big screens. See pictures to the right. Eyetronics Eyetronics ares specialists in 3D scanning, which they can present as a service or as a hardware product. And after seeing it in action, Maurice also was convinced the show needed MVN. And eventually the system gave us more possibilities than we could have wished for! Eyetronics has obtained its success in a wide range of entertainment applications, including complex visual effects for feature films, television and commercials, realistic character generation for computer games.
Take a visit at the website of Praga Khan. After years of success abroad, this album marks the beginning of huge following in their home country. Fall Praga Khan introduced "The Next Dimension", an ambitious theatre tour, in which they created a platform for the many artforms the band has been connected to over the years. The music of Praga Khan, performed live, in specially adapted versions, many of them with classical arrangements, became the spine of a spectacular perfomance, integrating video-art, ballet, fashion, painting, performing arts and more.
Code Red in goes on the path further, and brings an enthusiastic Praga Khan to the theater, along with many other artists, dancers and performers. But where The Next Dimension rather dark in the soul of Maurice Engelen brought forward, Code Red also emphasizes the lighter, playful element. A show which, alongside the familiar aspects, also inhabited eg breakdance, acrobatics, a touch of illusionism Following this highly successful theatertour Praga Khan still knows to find time for a new album 'Soundscraper'.
This time Praga integrates cutting-edge technology into the show, leaving his audience in awe for this state-of-the-art performance. He began recording as well in with a project named Shakti , a fusion of house and Indian music featuring the vocals of Nikkie Van Lierop aka Jade 4U.
Despite its controversial drug connotations, "Injected with a Poison" reached the number 16 spot and hit number one in Japan. The trio's Lords of Acid project began conquering dancefloors as well, with the single "Take Control" and the Lust LP one year later. While Lords of Acid gradually turned into an industrial dance group with plenty of guitars and cartoonish sexual songwriting , the MNO team continued to diversify, beginning in with a major-label U.
While the resulting LPs DO It and Lords of Acid's Voodoo-U weren't quite the commercial juggernaut Rubin hoped for, both increased the visibility of Belgian trance and European dance music as a whole in America, especially with alternative and college radio audiences.
Lords of Acid even undertook a stateside tour and attempted to cross over with the popular industrial crowds. The Japanese label Avex contracted Channel X to release an album; the title track of 's Take It to the Top became their second number one single in Japan. During a small lull in the recordings of the several MNO-based acts, Khan released a full-length, Conquers Your Love , under his own name. Lords of Acid returned in with Our Little Secret , and Khan released his second "solo" album, Pragamatic , in Additional solo albums appeared in Twentyfirstcenturyskin and Mutant Funk.
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